Showing posts with label beauty. Show all posts
Showing posts with label beauty. Show all posts

Saturday, August 09, 2008

Create

I'm big on creativity. You know, building stuff. Putting things where nothing was before. I think it's both the secret to happiness and the meaning of life. I think it's what humans are SUPPOSED TO DO.

Create. Re-create. Recreation. Play, especially at work.

I follow why the lucky stiff on Twitter. His tweets are usually funny and clever. And once in a while, he'll write something like this:

when you don't create things, you become defined by your tastes rather than ability. your tastes only narrow & exclude people. so create.

Very cool.

Saturday, November 03, 2007

A Few Poems

While doing some digital housekeeping recently, I ran across some poems I wrote back in the mid 90's when I worked with a very creative group of people at a now-defunct company. We were programmers, each responsible for one or more inter-related components of a large distributed system. When someone released a new module, the others would have to recompile to incorporate the changes. Often, a new-release email would be accompanied by a poem -- most often original -- or maybe song lyrics or even particularly elegant snippets of code.

My component was called the Data Access Daemon or DAD, for short. My first release email included this haiku:

Restless, like a child,
searching for its potential,
DAD, ever-changing.

Many of the poems I wrote were related to some feature of the DAD, i.e. stupid when taken out of context in a blog post, but a few of them I think stand on their own, or are at least "somewhat less stupid":

Quicksort
=========
I happened across a big pile of stuff
And decided that it should be sorted.
The time I could spend was hardly enough,
Any more time could not be afforded.

I picked up a thing, at random, I'm sure,
And to each of the rest I compared it.
I made two more piles of stuff, as it were:
The things found above and below it.

To each of those piles, the same thing I done,
And to those thereafter created.
And not 'til the size of each pile was one --
Were my efforts quite quickly abated.

Hardly a minute of time had passed by,
When I realized something important.
The stuff that had been on that very first pile,
After just a short while, was now sorted!

A Little Number I Call "9"
==========================
Begin with twelve and four,
then take away seven.
If you add two more,
You're left with eleven.

Eleven, you could say,
Is two one's combined.
If you take those away,
You end up with nine.

Stressed (Chill) Out
====================
Never settle (Be still) for less.
Always strive (until) to be best.
Never stop (your will) to rest.
Everything (is nil.) is a test.

Work It
=======
"Work it, baby, work it!"
I heard some dancers say.
"Toil it, baby, toil it!"
I joined in their refrain.

At this, they hesitated,
And turned, and frowned at me.
"What did you say?!" they shouted.
For dancers, they seemed mean.

A misinterpretation
Was all that had occurred.
Instead of inspiration,
It was "toilet" that they heard.

Men and Women
=============
"Men are from Mars," of course,
"And women are from Venus."
As if those stupid metaphors,
Some wisdom they could gain us!

Men and women are different,
But not because of Venus.
Only women can get pregnant,
And only men can have a... prostate!

Kicking Squirrels
=================
A squirrel came hopping through my yard,
And got a little careless.
The distance wasn't all that far --
From him to my Adidas.

Ducking behind the nearest tree,
I lied in vengeful wait.
And by the time he noticed me,
It was much too late.

In mid-jump I caught him square --
Just like that fella, Pele.
Soaring higher into the air,
I watched him sail away.

He landed atop my neighbor's house
A little shaken, but still alive.
About that time I spied a mouse,
But my mom called me back inside.

Cubicles
========
The chains descended from the ceiling,
And fastened to the tops --
Of the cubicles.
The motors began slowly turning,
Then rising were the walls --
Like theatre curtains.
The workers stopped what they were doing,
And looked up from their desks --
To peer at themselves.
Then came some men who owned the building,
Too late to warn the folks --
Of their new plans.

Nashville and Seattle
=====================
What if Nashville was Seattle
And therefore, vice versa?
In the place of Mother Maybelle
Could be Ann and Nancy Wilson.

Then Little Jimmy Dickens
And Minnie Pearl, yes ma'am,
Would be Little Jimi Hendrix
And Minnie Pearl Jam.

We could hear Kurt Cobain
Or even Courtney Love
Sing "Blue Eyes Cryin' in the Rain"
Or "Wings of a Dove"

Wouldn't it make you feel alive
To see Shania Twain
Hockin' loogies between stage-dives
Apparently in pain?

Well, maybe not "alive" per se,
But it would be pretty rad,
Seeing Alice and Reba in chains
Switching cities, switching fads.

Fonts
=====
Arial is fairly boring,
And Courier's way too plain.
Modern is the same ol' story,
And frankly, Script is a pain.

Garamond comes off as haughty.
Sans Serif a tad too smooth.
Lucida strikes me as naughty,
And Roman a bit long in the tooth.

Symbol is symbolic of nothing.
Terminal should be put to rest.
Hardly better is Times New Roman,
And Wingdings is simply a mess!

In the end, the font doesn't matter.
You may choose whichever you like.
Whether one or another is better --
Counts far less than how well you write.

Long-Eared, Pickle-Toed Pirate
==============================
Wouldn't it be funny --
If my ears were long, like a bunny?
I'd tuck 'em up under my arm pits.
That wouldn't be gross, would it?

Wouldn't you be tickled --
If instead of toes I had pickles?
I'd clip off the nails and make relish.
Everyone would be so jealous.

Wouldn't it be a riot --
If my leg was a peg, like a pirate?
I'd buckle swashes, say "Aye" and grin,
And eat relish, and... um... listen?

Tony Gwynn
==========
Tony Gwynn's amazing,
But a little overweight.
It won't be getting past him
If it makes it 'cross his plate.

Rooms
=====
There are rooms to do your sleeping,
And rooms to take your bath,
Rooms to do your eating,
And rooms in which you laugh.

Most realtors show you common rooms
In the houses that they sell.
But an agent took me on a tour
I'll long remember well.

"Here's a room for your improvement,
And one for you to grow.
These rooms are not the kind you rent
They're rooms you come to know."

That's what the agent sang to me.
That's right, my realtor sings --
'Bout rooms that ain't so roomy,
But let you spread your wings!

Childbirth
==========
It won't be long for her.
It will all be over soon.
What now seems like November -
Will tomorrow seem like June.

What Is Is
==========
By the definition
In my deposition,
I have no recollection
Of a sexual relation.

I mean to be truthful
Without being helpful.
To admit that I'm a mouthful
Would be very, very harmful.

A Crappy Poem
=============
"Roses are blue,
Violets are red."
Er...no... that's not true.
Nevermind what I said.

"Stars in the morning,
Sunshine at night."
Now wait just a minute!
That can't be right.

"Ships on the prairie
Planes in the sea."
What am I saying?
What's happening to me?

"My eyes won't steady --
I feel like a nap."
Shut up, already.
Enough of this crap!

Seven Fools
===========
Seven separate fools considered their lot,
And in turn, each of them ruled,
"I know well enough to know I know not,"
"I'm content", as fools are, "to be fooled".

"Be wary of too-happy people", one claimed,
"And also avoid the too-sad",
"Try to eat well!" "Make beautiful things!"
"And be a good mother or dad."

Mr. Stroustrup
==============
An email, from Bjarne,
today I received.
"Thanks" was all that --
it said.

Ironic that he
should be thanking me.
I should thank him --
instead.

Sunday, April 08, 2007

My Mother's Blog

I've been meaning to create a blog for my mother for some time now. I think she's a pretty good writer. I have to. She's my mother.

So here is My Mother's Blog.

Saturday, January 27, 2007

Musical Moments

When I was in high school, a friend described me as "the type of person who listens to guitar solos". I didn't realize some (most?) people don't.

I don't really hear lyrics when I listen to music. I'm aware of the words being sung, of course, but I rarely have any emotional response to them, other than the way they're being sung. For example, I only have a vague notion of what Joe Strummer or Sly Stone sing, but I love how they sing it.

I'm not into lyrics or "story songs", but I dig other aspects of music: a groovy bass line, a soulful vocalist, tight harmonies, unusual instrumentation, exceptional tone, original technique, surprising syncopation, or maybe an incredibly poignant note in a solo -- one that fits the context of the song perfectly! In short, I'm more inspired by the delivery of the message than the message itself.

Also, rather than entire songs, there are specific moments in certain songs that always excite me; always send multiple chills down my spine. So instead of favorite songs, I have favorite "musical moments". Here are a few...
  • "Machine Gun" -- Jimi Hendrix -- It's difficult for me to describe my relationship to this song. So much power from three people. Amazing vocals, both Jimi and Buddy. Forceful, soulful drumming. It's the tone of the guitar I love the most, of course. It's angry. At (3:11) singer and guitar are one. At (4:00) the player finally relents to the guitar's obvious desire and lets it scream. One angry, long sustained scream to introduce a solo. Not overplaying. Just one fantastic note. Gives me chills every time.
  • "Gimme Shelter" -- The Rolling Stones -- The intro always blows me away; dark and gently descending, culminating in that note at (0:50) Richards holds on the verge of feeding back with beautiful vibrato, one of those notes on a hollow-body that resonates to the point of shaking furniture if left unchecked.
  • "Hey" -- Pixies -- I love how he sings "If you go, I will surely die" at (0:36). I also love the guitars throughout, both the bass/rhythm interplay and the lead. The chorus is beautifully unusual, the word "chained" alternately and unapologetically broken. The entire second verse is a masterpiece, "Said the man to the lady... the sound that the mother makes when the baby breaks". I even like the lyrics on that one, but loved the way he sings that last line long before I realized what he was saying! ;-)
  • "There There" -- Radiohead -- These guys are like musical crack. And this song is exceptionally potent. One of my favorite bike-riding tunes. I always get chills when the background vocals come in at (2:01). I have no idea what they're singing.
  • "My Funny Valentine" -- Miles Davis -- When he flattens that note at (1:06) , he turns the whole song much darker and mysterious.
  • "Georgia on My Mind" -- Jerry Reed -- A study in timing. Both the intro and the outro are amazing, especially the harmonics at the very end. I love when he says "Yeah" at (2:21), himself seemingly amazed at what his own fingers are doing. He indeed has amazing fingers, but not all of his recordings reflect this. Fortunately, every track on "Explores Guitar Country", beginning with this one, does. Did I mention how amazing he is? ;-)
  • "Advance Romance" -- Frank Zappa -- Ok, I admit the opening lyric to this song initially hooked me. How can you not pay attention to a song that opens with "No more credit at the liquor store"? Wow! Love the drumming and slide guitar on this one, too.
  • "Bohemian Rhapsody" -- Queen -- Everyone loves this song, and for good reason. And what's the image in your head at (4:08)? The "Pacer scene" in the movie, Wayne's World, right? :-)
  • "I'll Take You There" -- Staple Singers (1:15) The solo begins with the piano trills and ends with the forever-familiar bass breakdown, the rim shots, kick drum accents and Mavis' vamping throughout. Love that groove.
  • "Statesboro Blues" -- Allman Brothers Band -- For my money, Duane achieved perfection on this recording. His slide has such a vocal quality, as if it's translating Greg's lyrics for all the guitars in the audience.
  • "Reelin' in the Years" -- Steely Dan -- Most people have no clue who Elliot Randall is. He's known mainly for one thing: he's the guitarist on this song. It was recorded in one take. The lick he plays around (4:02) in the outro is one of my all-time favorites in all of guitar-lick-dom.
Those are but a few of many. What are yours?

Saturday, January 06, 2007

Beauty and the Bike

It's the middle of January, and I just returned from a lovely bike ride on the Alpharetta Big Creek Greenway. There was a slight chill, but 'twas really downright balmy for January. A few clouds, but mostly bright and blue. Definitely could drive with the windows down.

I don't get outside often enough. My job keeps me indoors, and frankly I don't mind all that much, but when I get the chance to ride my bike on a good-weather day, I like to take it. And I usually like to drag parts of my family along, too.

I couldn't persuade any of them to go today, but I really wasn't trying that hard. I wanted to bring my new Meizu MiniPlayer with me, and that's a solitary endeavor, right? You can't very well listen to the DAP on a ride with other folks, especially family.

For me, few things are more enjoyable than riding a bike on a beautiful, i.e. cool but sunny, day listening to great tunes on a portable music player. DAP's avoid the Doppler effect. The music stays right with you as you try to move away from it. Plenty of songs sound great on a bike, but today I embraced the 70's. Steve Miller, ELO, Parliament, Al Green, Joni Mitchell, and the Staples Singers, among others.

In particular, Al Green and Mavis Staples made me so happy on the bike trail that I guess I was smiling a lot, because I received smiles from plenty of other folks on the trail, too, all of whom I thought I recognized, none of whom I actually did.

Is it any wonder Prince tried to revive Mavis Staples' career?

I love the Alpharetta bike trail. There's a creek -- a Big one, apparently -- that runs alongside it. In the summer, snakes are plentiful. It's always exciting to see one, and we always see at least one on any given trip. Most of the six-mile trail is paved but there's a certain swamp-like section comprised of twisty, wooden slats that are fun to navigate. The trail runs behind Northpoint Mall, various Alpharetta business parks and the usual McMansion subdivisions.

I have a touch of the flu on this day, so even though the entire ride was mostly perfect, the snot would tend to build up periodically. Finding an unpopulated stretch and snorting it out provided enormous relief and the occasional burst of energy that puts my butt in the air, my weight forward, the handlebars seemingly touching the ground with each pump of the pedal, finally reaching the pinnacle of one of the many bridges over that winding creek, and leaning back on the seat, straightening the spine, the wind on my face, coasting down with hands on hips while Al Green sings of Love and Happiness...

Life is beautiful.